He is fully capable of matching wits with Delilah, who uses humor as a shield for the personal life she doesn’t like discussing as they get to know each other over the course of the summer. Henry – or Hank, as she sometimes defiantly calls him – comes across as a good man at heart, but a flawed one – a man not sure about whether or not to go back to the life he left behind in Boulder, Colorado. “Right from the jump, their relationship feels real, despite the fact that they’re communicating entirely via radio, with no faces on screen to lend emotional cues. Her emotional armor is thick, and she shows the cracks in her personality we’re allowed to see as we play without resorting to being overdramatic. Henry’s boss – and primary point of human contact for the entire summer – is Delilah. Rookie lookout Henry is given a playful vulnerability you can choose to play him serious or funny, and the performance is up to the task either way. Firewatch sounds as good as it looks, thanks to a world-class script acted to perfection by its two leads. In fact, only the strange absence of almost any wildlife whatsoever betrays the convincing setting. It is a testament to both Moss and Firewatch’s level designers that, even despite the stylized look, the Two Forks Woods sticks in my mind like a real place: the narrow passage through Thunder Canyon, the serene calm of Jonesy Lake, the comically small size of Pork Pond, and the unexplained mystery of the Medicine Wheel. That allows bold reds, yellows, and oranges to color this fictional Wyoming forest’s beautifully painted scenery (a contribution by renowned illustrator Olly Moss) – all in a comfortable and immersive first-person perspective. The story takes place over the course of an entire summer, with different “days” – which are treated as chapters of the story – playing out at different hours of the day and night. “Once you arrive there, Firewatch’s powerful ambiance takes hold.
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